Skip to content
Female Weapon 701 (2017) poster

Female Weapon 701

2017, Japanese. Directed by Kiyotaka Taguchi.

A giant monster Tetsudon is attacking a peaceful town. To protect civilians, the Self-Defense Force is deploying an ultimate weapon - a giant female-shaped combat robot 701. Sayuri, who is piloting a robot, deals with the monster, but in the ruins of an accidentally destroyed love hotel she notices her boyfriend, who is cheating on her with another woman.

Watch TrailerWhere to Watch
Runtime
0h 5m
Post-credits
None listed
Language
Japanese
Rated
Check local

Start now and it ends at ….

Too new to call

Not enough people have rated it yet for a verdict.

Seen it? Give your verdict.

Saved privately on this device.

Where to watch Female Weapon 701

Female Weapon 701 isn’t streaming on any OTT platform in India yet; it released on 4 March 2017.

No streaming listings yet. Search JustWatch.

Details

Released
4 March 2017
Original title
女兵器701
Country
Japan
Written by
Kiyotaka Taguchi

Check ratings elsewhere

News & fan talk

If you liked Female Weapon 701

Female Weapon 701: quick answers

Is Female Weapon 701 worth watching?

Female Weapon 701 doesn’t have enough ratings for a verdict yet.

How long is Female Weapon 701?

Female Weapon 701 runs 5 minutes (0h 5m).

Does Female Weapon 701 have a post-credits scene?

None is listed for Female Weapon 701. Viewers tag these on TMDB, so a brand-new film may not be tagged yet.

Female Weapon 701 parents guide: is it suitable for kids?

No age rating is listed for Female Weapon 701 yet.

Which OTT platform is Female Weapon 701 on?

Female Weapon 701 isn’t streaming on any OTT platform in India yet; it released on 4 March 2017. (Checked 10 November 2026.)

What movies are like Female Weapon 701?

If you liked Female Weapon 701, try Mobile Suit Gundam SEED FREEDOM, Doraemon: Nobita and the New Steel Troops: Winged Angels, Evangelion: 2.0 You Can (Not) Advance.

Who directed Female Weapon 701?

Female Weapon 701 (2017) was directed by Kiyotaka Taguchi and stars Misaki Izumi, Takaya Aoyagi, Haruka Momokawa.

↑ ↓ to move · Enter to open · Full search page