Semiotics of the Kitchen: An Audition
2011, English. Directed by Martha Rosler.
In 2003, Rosler announced an open call for a live re-staging of her 1975 video Semiotics of the Kitchen, to be held at the Whitechapel Gallery in London, for A Short History of Performance, Part II. Twenty-six women — actors, artists, curators, and museum staff among them — participated in a rotating performance of the work. On three sets stocked with kitchen utensils, the participants enacted the work in front of an audience, while their performances also appeared on monitors throughout the gallery. At the end of the performance, the three groups of women came together to present the last few gestures of the video — including its final shrug. Semiotics of the Kitchen: An Audition documents the preliminary rehearsals with Rosler and the public event, the “audition.”
- Runtime
- 0h 10m
- Post-credits
- None listed
- Language
- English
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Semiotics of the Kitchen: An Audition isn’t streaming on any OTT platform in India yet; it released on 8 January 2011.
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- Released
- 8 January 2011
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Semiotics of the Kitchen: An Audition: quick answers
Is Semiotics of the Kitchen: An Audition worth watching?
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How long is Semiotics of the Kitchen: An Audition?
Semiotics of the Kitchen: An Audition runs 10 minutes (0h 10m).
Does Semiotics of the Kitchen: An Audition have a post-credits scene?
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Semiotics of the Kitchen: An Audition parents guide: is it suitable for kids?
No age rating is listed for Semiotics of the Kitchen: An Audition yet.
Which OTT platform is Semiotics of the Kitchen: An Audition on?
Semiotics of the Kitchen: An Audition isn’t streaming on any OTT platform in India yet; it released on 8 January 2011. (Checked 13 November 2026.)
What movies are like Semiotics of the Kitchen: An Audition?
If you liked Semiotics of the Kitchen: An Audition, try Tropic Thunder: Rain of Madness, Pitch Perfect 2, LCD Soundsystem: Shut Up and Play the Hits.
Who directed Semiotics of the Kitchen: An Audition?
Semiotics of the Kitchen: An Audition (2011) was directed by Martha Rosler.