1/57: Experiment with Synthetic Sound (Test)
1/57: Experiment with Synthetic Sound (Test)
1957, German. Directed by Kurt Kren.
Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)
- Runtime
- 0h 1m
- Post-credits
- None listed
- Language
- German
- Rated
- Check local
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1/57: Experiment with Synthetic Sound (Test) isn’t streaming on any OTT platform in India yet; it released on 1 March 1957.
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Cast & crew
Details
- Released
- 1 March 1957
- Original title
- 1/57: Versuch mit synthetischem Ton
- Country
- Austria
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1/57: Experiment with Synthetic Sound (Test): quick answers
Is 1/57: Experiment with Synthetic Sound (Test) worth watching?
1/57: Experiment with Synthetic Sound (Test) doesn’t have enough ratings for a verdict yet.
How long is 1/57: Experiment with Synthetic Sound (Test)?
1/57: Experiment with Synthetic Sound (Test) runs 1 minutes (0h 1m).
Does 1/57: Experiment with Synthetic Sound (Test) have a post-credits scene?
None is listed for 1/57: Experiment with Synthetic Sound (Test). Viewers tag these on TMDB, so a brand-new film may not be tagged yet.
1/57: Experiment with Synthetic Sound (Test) parents guide: is it suitable for kids?
No age rating is listed for 1/57: Experiment with Synthetic Sound (Test) yet.
Which OTT platform is 1/57: Experiment with Synthetic Sound (Test) on?
1/57: Experiment with Synthetic Sound (Test) isn’t streaming on any OTT platform in India yet; it released on 1 March 1957. (Checked 12 November 2026.)
What movies are like 1/57: Experiment with Synthetic Sound (Test)?
If you liked 1/57: Experiment with Synthetic Sound (Test), try The Art of the Steal, Come See Me in the Good Light, Struggle: The Life and Lost Art of Szukalski.
Who directed 1/57: Experiment with Synthetic Sound (Test)?
1/57: Experiment with Synthetic Sound (Test) (1957) was directed by Kurt Kren.