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The Days of Abandonment (2005) poster

The Days of Abandonment

2005, Italian. Directed by Roberto Faenza.

Olga's life is shattered when her husband leaves her. This makes her fall into a period of self-degradation and self-destructive behaviors.

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Runtime
1h 36m
Post-credits
None listed
Language
Italian
Rated
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Snoozefest

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5.8/10 from 41 TMDB viewer ratings.

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Where to watch The Days of Abandonment

The Days of Abandonment isn’t on a subscription OTT platform in India, but you can watch it free or rent it or buy it online.

Details

Released
16 September 2005
Original title
I giorni dell'abbandono
Country
Italy
Written by
Roberto Faenza

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News & fan talk

What The Days of Abandonment is based on

The Days of Abandonment is based on The Days of Abandonment (2002) by Elena Ferrante.

Source details from Wikidata and TMDB.

If you liked The Days of Abandonment

The Days of Abandonment: quick answers

Is The Days of Abandonment worth watching?

Our verdict is Snoozefest: Your time is worth more. It scores 5.8/10 from 41 TMDB viewer ratings.

How long is The Days of Abandonment?

The Days of Abandonment runs 96 minutes (1h 36m).

Does The Days of Abandonment have a post-credits scene?

None is listed for The Days of Abandonment. Viewers tag these on TMDB, so a brand-new film may not be tagged yet.

The Days of Abandonment parents guide: is it suitable for kids?

No age rating is listed for The Days of Abandonment yet.

Which OTT platform is The Days of Abandonment on?

The Days of Abandonment isn’t on a subscription OTT platform in India, but you can watch it free or rent it or buy it online. (Checked 13 November 2026.)

What movies are like The Days of Abandonment?

If you liked The Days of Abandonment, try Dormant Beauty, Finally Dawn, The Girl in the Book.

Who directed The Days of Abandonment?

The Days of Abandonment (2005) was directed by Roberto Faenza and stars Margherita Buy, Luca Zingaretti, Goran Bregović.

What is The Days of Abandonment based on?

The Days of Abandonment is based on The Days of Abandonment (2002) by Elena Ferrante.

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