Bill Brand

Bill Brand is a multi-disciplinary artist whose films, public artwork, installations, paintings and works-on-paper have exhibited worldwide in museums, galleries microcinemas and on television. His 1980 Masstransiscope, an animated mural installed in the New York City subway, is in the MTA Arts and Design permanent collection. Bill Brand’s artwork has been featured at Museum of Modern Art, Whitney Museum, Smithsonian American Art Museum, National Gallery of Art, Anthology Film Archive and Shanghai Duolun Museum of Modern Art. He is represented by Galerie Arnaud Lefebvre, Paris and Court Tree Gallery, Brooklyn.

His films have been presented at major film festivals including the Berlin Film Festival, New Directors/ New Films Festival, Tribeca Film Festival and Rotterdam Film Festival. His films are discussed in histories of cinema including the books Experimental Filmmaking: Break the Machine (2015) by Kathryn Ramey; Results You Can’t Refuse: Celebrating 30 Years of BB Optics, (2006) edited by Andrew Lampert, Documentary, A History of the Non-Fiction Film, (1992) by Erik Barnouw; and Allegories of Cinema, (1990) by David James. Brand’s work has also been written about in news and journal articles by Janet Maslin, Jonas Mekas, J. Hoberman, B. Ruby Rich, Ian Christie, Noel Carroll and Randy Kennedy among others.